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Anne Ashburn is a woman consumed By her bitter family legacy, by her scorched career as a firefighter, by her obsession with department bad-boy Danny McGuire, and by a new case that pits her against a fiery killer.

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Tessa Virtue and Scott Moir are the most decorated figure skaters in the history of the sport, and are widely celebrated by peers and fans alike for their superior athleticism, one-of-a-kind partnership, and generosity of spirit.

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While the Resistance struggles to fight back against the harsh rulings of the Mage Council, more and more Gardnerian soldiers descend upon the University…led by none other than Lukas Grey, now commander of the nearby military base.

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Blumhouse Productions welcomes you to the movement that began as a simple experiment: To push the crime rate below one percent for the rest of the year, the New Founding Fathers of America test a sociological theory that vents aggression for one night in one isolated community.

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This astonishing allegory, one of the most scathing satires in literary history, remains as fresh and relevant as the day it was published.

George Orwell's classic satire of the Russian Revolution has become an intimate part of our contemporary culture, with its treatment of democratic, fascist, and socialist ideals through an animal fable.

The animals of Mr. Jones' Manor Farm are overworked, mistreated, and desperately seeking a reprieve.

In their quest to create an idyllic society where justice and equality reign, the animals of Manor Farm revolt against their human rulers, establishing the democratic Animal Farm under the credo, "All Animals Are Created Equal.

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A prosecutor out for blood and glory. The accused, who is possibly innocent. And the killer, who may have just committed the perfect crime.

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This is a war, she says, "with so many casualties that we should call it by its true name, this war with so many dead by police, by violent ex-husbands and partners and lovers, by people pursuing power and profit at the point of a gun or just shooting first and figuring out who they hit later.

Want to learn Spanish with easy 3-minute lessons? The Schwartz family is happy to be spending Christmas on their new farm in Hart County.

But when Susanna Schwartz hears gunshots that causes her buggy to overturn, and then her little sister falls through a wooden bridge into the icy creek, it becomes clear from these dangerous "accidents" that someone wants them gone.

Neil Vance has been heartbroken ever since his parents lost their family farm. He knows it's not the Schwartz family's fault, but he can't help but be resentful.

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Susanna refuses to believe Neil would do anything to harm her. She's fallen in love with him and knows he is a good man.

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Past plays tag with the present and the claustrophobic tension mounts as Ari is thrust ever deeper into his own darkness-blinded by snow and with a killer on the loose.

Taut and terrifying, Snowblind is a startling debut from an extraordinary new talent. In this propulsive novel, one of the most idiosyncratically brilliant writers at work in any language fuses science fiction, the hard-boiled thriller, and white-hot satire into a new element of the literary periodic table.

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When America entered World War II in , we faced an enemy that had banned and burned over million books and caused fearful citizens to hide or destroy many more.

Outraged librarians launched a campaign to send free books to American troops and gathered 20 million hardcover donations.

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Doctor Who's popularity is on-going with a cult following that stretches all the way from New Zealand to Los Angeles via Britain.

The new incarnation of the Doctor will travel much further afield. With high production values, innovative CGI from Oscar-winning company The Mill, an all-star cast and scripts from the cream of British writers led by Russell T Davies, Doctor Who is the ultimate adventure in the human race -- gripping, breathtaking and action-packed.

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The best comedy on television returns for Season 3! Will these young witches, vampires and werewolves become the heroes they want to be — or the villains they were born to be?

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When the world is ravaged by a zombie apocalypse, police officer Rick Grimes and a small group of others must face a terrifying new reality.

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It's been three years since theme park and luxury resort, Jurassic World was destroyed by dinosaurs out of containment.

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He points out, for example, that the development of money as a technology created, as a side effect, a context for irrational accumulation of excess because it eliminated the burdensome aspects of object-wealth by making wealth abstract.

In those eras when wealth was not abstract, plenitude had functioned as the organizing principle around its acquisition i.

Money, which allows wealth to be conceived as pure quantity instead of quality, is an example of megatechnics, one which can spiral out of control.

If Mumford is right in this conceptualization, historians and economists should be able to trace a relationship between the still-increasing abstraction of wealth and radical transformations with respect to wealth's distribution and role.

And, indeed, it does appear that, alongside its many benefits, the movement toward electronic money has stimulated forms of economic stress and exploitation not yet fully understood and not yet come to their conclusion.

A technology for distributing resources that was less given to abstract hoarding would be more suitable to a biotechnic conception of living.

Thus Mumford argued that the biotechnic society would not hold to the megatechnic delusion that technology must expand unceasingly, magnifying its own power and would shatter that delusion in order to create and preserve "livability.

This notion of plenitude becomes clearer if we suggest that the biotechnic society would relate to its technology in the manner an animal relates to available food—under circumstances of natural satisfaction, the pursuit of technological advance would not simply continue "for its own sake.

Alongside the limiting effect of satisfaction amidst plenitude, the pursuit of technological advance would also be limited by its potentially negative effects upon the organism.

Thus, in a biotechnic society, the quality of air, the quality of food, the quality of water, these would all be significant concerns that could limit any technological ambitions threatening to them.

The anticipated negative value of noise, radiation, smog, noxious chemicals, and other technical by-products would significantly constrain the introduction of new technical innovation.

In Mumford's words, a biotechnic society would direct itself toward "qualitative richness, amplitude, spaciousness, and freedom from quantitative pressures and crowding.

Self-regulation, self-correction, and self-propulsion are as much an integral property of organisms as nutrition, reproduction, growth, and repair.

Mumford's critique of the city and his vision of cities that are organized around the nature of human bodies, so essential to all Mumford's work on city life and urban design, is rooted in an incipient notion of biotechnics: Mumford used the term biotechnics in the later sections of The Pentagon of Power , written in The term sits well alongside his early characterization of "organic humanism," in that biotechnics represent the concrete form of technique that appeals to an organic humanist.

When Mumford described biotechnics, automotive and industrial pollution had become dominant technological concerns, along with the fear of nuclear annihilation.

Mumford recognized, however, that technology had even earlier produced a plethora of hazards, and that it would do so into the future. For Mumford, human hazards are rooted in a power-oriented technology that does not adequately respect and accommodate the essential nature of humanity.

Mumford is stating implicitly, as others would later state explicitly, that contemporary human life understood in its ecological sense is out of balance because the technical parts of its ecology guns, bombs, cars, drugs have spiraled out of control, driven by forces peculiar to them rather than constrained by the needs of the species that created them.

He believed that biotechnics was the emerging answer and the only hope that could be set out against the problem of megatechnics. It was an answer, he believed, that was already beginning to assert itself in his time.

It is true that Mumford's writing privileges the term "biotechnics" more than the "biotechnic society. Thus he ends his narrative, as he well understood, at the beginning of another one: Mumford was an avid reader of Alfred North Whitehead 's philosophy of the organism.

A key idea, introduced in Technics and Civilization was that technology was twofold:. Mumford commonly criticized modern America's transportation networks as being "monotechnic" in their reliance on cars.

Automobiles become obstacles for other modes of transportation, such as walking , bicycle and public transit , because the roads they use consume so much space and are such a danger to people.

Mumford explains that the thousands of maimed and dead each year as a result of automobile accidents are a "ritual sacrifice" the American society makes because of its extreme reliance on highway transport.

Also discussed at length in Technics and Civilization is Mumford's division of human civilization into three distinct epochs following concepts originated by Patrick Geddes:.

Mumford also refers to large hierarchical organizations as megamachines —a machine using humans as its components.

These organizations characterize Mumford's stage theory of civilization. The most recent megamachine manifests itself, according to Mumford, in modern technocratic nuclear powers —Mumford used the examples of the Soviet and United States power complexes represented by the Kremlin and the Pentagon , respectively.

The builders of the pyramids , the Roman Empire and the armies of the World Wars are prior examples. He explains that meticulous attention to accounting and standardization, and elevation of military leaders to divine status, are spontaneous features of megamachines throughout history.

He cites such examples as the repetitive nature of Egyptian paintings which feature enlarged pharaohs and public display of enlarged portraits of Communist leaders such as Mao Zedong and Joseph Stalin.

He also cites the overwhelming prevalence of quantitative accounting records among surviving historical fragments, from ancient Egypt to Nazi Germany.

Necessary to the construction of these megamachines is an enormous bureaucracy of humans which act as "servo-units", working without ethical involvement.

According to Mumford, technological improvements such as the assembly line , or instant, global, wireless , communication and remote control , can easily weaken the perennial psychological barriers to certain types of questionable actions.

An example which he uses is that of Adolf Eichmann , the Nazi official who organized logistics in support of the Holocaust.

Mumford collectively refers to people willing to carry out placidly the extreme goals of these megamachines as "Eichmanns".

One of the better-known studies of Mumford is of the way the mechanical clock was developed by monks in the Middle Ages and subsequently adopted by the rest of society.

He viewed this device as the key invention of the whole Industrial Revolution , contrary to the common view of the steam engine holding the prime position, writing: The City in History won the U.

National Book Award for Nonfiction. Harshly critical of urban sprawl , Mumford argues that the structure of modern cities is partially responsible for many social problems seen in western society.

While pessimistic in tone, Mumford argues that urban planning should emphasize an organic relationship between people and their living spaces.

Mumford uses the example of the medieval city as the basis for the "ideal city," and claims that the modern city is too close to the Roman city the sprawling megalopolis which ended in collapse; if the modern city carries on in the same vein, Mumford argues, then it will meet the same fate as the Roman city.

Mumford wrote critically of urban culture believing the city is "a product of earth Mumford feared "metropolitan finance," urbanisation, politics, and alienation.

In the suburb one might live and die without marring the image of an innocent world, except when some shadow of evil fell over a column in the newspaper.

Thus the suburb served as an asylum for the preservation of illusion. Here domesticity could prosper, oblivious of the pervasive regimentation beyond.

This was not merely a child-centered environment; it was based on a childish view of the world, in which reality was sacrificed to the pleasure principle.

Mumford's interest in the history of technology and his explanation of "polytechnics", along with his general philosophical bent, has been an important influence on a number of more recent thinkers concerned that technology serve human beings as broadly and well as possible.

Schumacher , Herbert Marcuse , Erich Fromm , Murray Bookchin , Thomas Merton , Marshall McLuhan , and Colin Ward [15] —have been intellectuals and persons directly involved with technological development and decisions about the use of technology.

Mumford also had an influence on the American environmental movement, with thinkers like Barry Commoner and Bookchin being influenced by his ideas on cities, ecology and technology.

Mumford's influence is also evident in the work of some artists including Berenice Abbott 's photographs of New York City in the late s.

From Wikipedia, the free encyclopedia. Retrieved Oct 12, Dictionary of Art Historians. The College Art Association. Retrieved Oct 11, Review of Process and Reality: LeGates, Frederic Stout, p.

The City in History: The Value of Voluntary Simplicity. Pendle Hill, , p.

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